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Live, APBS are an aural assault, flooding the audience with layers of swirling distortion and primal industrial rhythms. It’s never an easy thing to capture such sonic ferocity in the studio but Exploding Heads succeeds. A more polished album than their rough and ready self titled debut, it’s just as dark but it’s a more focused album. Exploding Head, along with The Horrors’ Primary Colours, is one of the reasons why the second coming of shoegaze is becoming the most exciting sound in music toda
Cymbals Eat Guitars debut album ‘Why There Are Mountains’ is an epic cacophony of keyboard, guitars and hooks, doing away with structured chorus in exchange for a crashing landscape of American indie. It may be their first long player but they sound like a band well beyond that; they could’ve shared bills with Pavement, Modest Mouse and Built to Spill - they still could.
20 years ago C&A were on top of the world; the trendy indie brigade regularly visiting for garish over-sized jumpers and jeans so wide they’d make clowns look like The Horrors. For a moment The Stone Roses were the coolest looking band on the planet, but their adoration wasn’t just based on bowl haircuts and baggy threads, in 1989 they’d draw a line under British guitar music and make one of the most important debut albums ever.
Indie would never be the same. A rhythm section with an unhealthy groove, John Squire’s jingle-jangle guitars turning him into an instant guitar god and Ian Brown seemingly giving birth to swagger, whipping crowds of the indier than thou, ravers and the average working man into a loved up hedonistic frenzy.
Alas, C&A is dead, but the spirit of the Stone Roses still lives on. This is a timeless debut which still inspires - from the torch carrying Kasabian to basin haired new-comers The Ruling Class.