Good Old Boys

Whereas 1972's SAIL AWAY played like a superbly crafted collection of short stories, 1974 's GOOD OLD BOYS was Newman's first novel. The literary analogies are not misplaced--Newman brings a writer's eye to character development, detail, setting, and scenario on GOOD OLD BOYS, a concept album about life in the Deep South. The opening track, "Rednecks", is a mercilessly scathing swipe at Southern racism, with a rollicking, sing-along chorus that only sinks the song's knife in deeper. And "A Wedding in Cherokee County" is a lovely ballad about a highly suspect backwoods marriage. more...

But for every attack on provincialism, Newman offers a tender portrait of a Southern character in the throes of personal turmoil. "Guilty", for example, is a self-destructive man's confessional lament, while "Marie" may be Newman's most heartbreaking and beautiful love song. By inhabiting his characters with uncanny accuracy, Newman achieves a sense of comedy and empathy that might be impossible were he narrating these tales from his own point of view. There are lighter tracks, too, like the good-time "Rolling" and the enigmatic "Naked Man", but even these are graced with the artist's fine arrangements and ear for melody. Unique, confrontational, and moving, GOOD OLD BOYS remains one of Newman's finest achievements.

Rolling Stone (3/20/03, p.69)
- 4 stars out of 5 - "...Sounds spectacular....The pristine soundscape conveys a rough tour of the twentieth-century U.S. South, conducted just as the word Watergate became an omnipresent noun..."

Q (6/02, p.136)
- 4 stars out of 5 - "...Contains an entire disc of new material, This is a fascinating recording..."

Entertainment Weekly (6/7/02, pp.76-77)
- "...A masterpiece...When it comes to the 'untrustworthy narrator,' the territory is Newman's own....Race baiting moves closer to home in BOYS, Newman's Southern-themed '74 follow-up to SAIL AWAY..."